By Jonathan Miller Robert C. Hockett, co-founder of the Cornell Research Academy for Development, Law and Economics (CRADLE), is one of several Cornellians featured in the documentary film “Assholes: A Theory.” He and his colleagues work to promote the study of policies that protect ordinary people...
The audience at DocEdge Festival share their feelings about Assholes: A Theory....
John Walker discusses Assholes: A Theory with Rachel and Tess of 95bFM, New Zealand. Listen to full interview at 95bfm.com…...
Director John Walker discusses why we are attracted to assholes. Watch full interview at newshub.co.nz…...
The Monty Python legend sat down with Fast Company to talk about a new documentary, which posits that “assholery” is a crisis that threatens the republic....
As part of the Wellington Doc Edge Forum, John Walker will be sharing his creative and strategic approach to documentary filmmaking....
John Walker Productions' most recent film Assholes: A Theory celebrated three completely sold out screenings for it's North American Premiere at Hot Docs 2019....
Director John Walker and Author Aaron James discuss Assholes: A Theory on CTV News, in anticipation of its Hot Docs premiere....
Some thoughts on John Walker’s Assholes, Fred Peabody’s The Corporate Coup d’État and Larry Weinstein’s Propaganda...
Assholes: A Theory is one of sixty-five international and homegrown films that have been confirmed for New Zealand's 14th annual Doc Edge Festival....
A FEATURE DOCUMENTARY FROM JOHN WALKER
A JOHN WALKER PRODUCTION IN CO-PRODUCTION WITH THE NATIONAL FILM BOARD OF CANADA IN ASSOCIATION WITH DOCUMENTARY CHANNEL
CINEMATOGRAPHER PAUL MCCURDY EDITOR JEFF WARREN COMPOSER SANDY MOORE SOUND DESIGNER ALEX SALTER ANIMATOR RON MCDOUGALL LOCATION SOUND JIM RILLIE PRODUCERS ANN BERNIER ANNETTE CLARKE JOHN WALKER WRITTEN BY JOHN WALKER ROBERT SANDLER DIRECTED & NARRATED BY JOHN WALKER
A John Walker Production in co-production with the National Film Board of Canada in association with documentary Channel and Canada Media Fund, with the assistance of the Government of Nova Scotia, Nova Scotia Film & Television Production Incentive Fund, Telefilm Canada and the Rogers Group of Funds, through the Theatrical Documentary Program, Rogers Telefund and The Canadian Film or Video Film Tax Credit and developed with the assistance of Superchannel
